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The new patchbay has one goal:

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everyone can set it up

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the way they like.

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Like DaVinci Resolve,

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like Kdenlive, like

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Premiere or Avid,

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or entirely their own.

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As configurable as possible.

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The patchbay now adapts

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to its width.

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Drag it wider,

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and the faders and

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fields grow with it.

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Drag it narrower,

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and it hides what

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no longer fits,

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step by step.

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A right click below the

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tracks lists the styles.

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Compact puts the switches

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in one row,

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with the name beneath.

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Single row keeps every track

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to a single line.

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Classic is the familiar layout.

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Edit styles opens the

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Patchbay Styles window,

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with a large video

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head and audio head.

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The built-in styles are locked.

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Duplicate makes a

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copy of Classic.

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Drag the track label

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onto the left edge.

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It becomes a column over the

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full height of the head.

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Then switch it to

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the short form,

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V1 or A1,

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turn it upright,

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and give it a fixed,

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narrow width.

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You decide the arrangement.

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Drop an element between two rows,

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and it opens a new row.

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Here gang and master move into

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a row of their own.

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There are two new switches:

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Solo lets you hear

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this track alone,

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and the effects button turns

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all effects of the track

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off and on again.

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The fader can now stand upright.

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Drop it on the right edge,

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and it runs the full

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height of the head.

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The same works for

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the level meter.

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The audio head now

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shows it upright,

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next to the fader.

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The preview below shows the

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style on a low,

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a default and a tall track,

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and lists what gets hidden.

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OK saves the copy,

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and the patchbay uses

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it right away.